Editor's note   First of a trilogy of books devoted to the African Americans issue, Sculptures Vol. I. It was recently acquired and housed in the permanent collections of  M.o.M.a.  and  Metropolitan Museum of Art . Sculptures is the intimate and conceptual narrative of the greatest manifestation of African Americans from the Martin L. King times. Photographs taken at Washington on December 13, 2014, more precisely During the protest on civil rights originated in Ferguson, Missouri, combine at the political motivation an intimate dimension of the project linked to the author's story with an Italian- African-American woman.

Editor's note

First of a trilogy of books devoted to the African Americans issue, Sculptures Vol. I. It was recently acquired and housed in the permanent collections of M.o.M.a. and Metropolitan Museum of Art. Sculptures is the intimate and conceptual narrative of the greatest manifestation of African Americans from the Martin L. King times. Photographs taken at Washington on December 13, 2014, more precisely During the protest on civil rights originated in Ferguson, Missouri, combine at the political motivation an intimate dimension of the project linked to the author's story with an Italian- African-American woman.

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Editor's note
Editor's note

First of a trilogy of books devoted to the African Americans issue, Sculptures Vol. I. It was recently acquired and housed in the permanent collections of M.o.M.a. and Metropolitan Museum of Art. Sculptures is the intimate and conceptual narrative of the greatest manifestation of African Americans from the Martin L. King times. Photographs taken at Washington on December 13, 2014, more precisely During the protest on civil rights originated in Ferguson, Missouri, combine at the political motivation an intimate dimension of the project linked to the author's story with an Italian- African-American woman.

Order here

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Editor's note
Editor's note

First of a trilogy of books devoted to the African Americans issue, Sculptures Vol. I. It was recently acquired and housed in the permanent collections of M.o.M.a. and Metropolitan Museum of Art. Sculptures is the intimate and conceptual narrative of the greatest manifestation of African Americans from the Martin L. King times. Photographs taken at Washington on December 13, 2014, more precisely During the protest on civil rights originated in Ferguson, Missouri, combine at the political motivation an intimate dimension of the project linked to the author's story with an Italian- African-American woman.

Order here

  Editor's note   First of a trilogy of books devoted to the African Americans issue, Sculptures Vol. I. It was recently acquired and housed in the permanent collections of  M.o.M.a.  and  Metropolitan Museum of Art . Sculptures is the intimate and conceptual narrative of the greatest manifestation of African Americans from the Martin L. King times. Photographs taken at Washington on December 13, 2014, more precisely During the protest on civil rights originated in Ferguson, Missouri, combine at the political motivation an intimate dimension of the project linked to the author's story with an Italian- African-American woman.
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P1010676_LOW.jpg
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P1010688_LOW.jpg
P1010687_LOW.jpg
P1010681_LOW.jpg
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P1010686_LOW.jpg
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P1010704_LOW.jpg
P1010705_LOW.jpg
P1010707_LOW.jpg
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P1010695_LOW.jpg
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P1010696_LOW.jpg
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Editor's note
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Editor's note

Editor's note

First of a trilogy of books devoted to the African Americans issue, Sculptures Vol. I. It was recently acquired and housed in the permanent collections of M.o.M.a. and Metropolitan Museum of Art. Sculptures is the intimate and conceptual narrative of the greatest manifestation of African Americans from the Martin L. King times. Photographs taken at Washington on December 13, 2014, more precisely During the protest on civil rights originated in Ferguson, Missouri, combine at the political motivation an intimate dimension of the project linked to the author's story with an Italian- African-American woman.

Editor's note

First of a trilogy of books devoted to the African Americans issue, Sculptures Vol. I. It was recently acquired and housed in the permanent collections of M.o.M.a. and Metropolitan Museum of Art. Sculptures is the intimate and conceptual narrative of the greatest manifestation of African Americans from the Martin L. King times. Photographs taken at Washington on December 13, 2014, more precisely During the protest on civil rights originated in Ferguson, Missouri, combine at the political motivation an intimate dimension of the project linked to the author's story with an Italian- African-American woman.

Order here

Editor's note

First of a trilogy of books devoted to the African Americans issue, Sculptures Vol. I. It was recently acquired and housed in the permanent collections of M.o.M.a. and Metropolitan Museum of Art. Sculptures is the intimate and conceptual narrative of the greatest manifestation of African Americans from the Martin L. King times. Photographs taken at Washington on December 13, 2014, more precisely During the protest on civil rights originated in Ferguson, Missouri, combine at the political motivation an intimate dimension of the project linked to the author's story with an Italian- African-American woman.

Order here

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